Dr. Manu
Humanities
September 2022
One of the primary Indian authors who addressed the question of social legitimacy about the need for Indian literary works is Aravind Adiga. This test seeks to look into socioeconomic inequality and segregation in Aravind Adiga's The White Tiger. The hero of the story, a town lad named Balram Halwai, provides a vivid representation of India's collective struggle in a globalised world in the faintly fascinating novel. The story examines topics of the Hindu faith, status, devotion, debasement, and India by describing Balram's journey first to Delhi, where he works as a driver for a wealthy property manager, and then to Bangalore, where he flees after killing his owner and seizing his money. Balram eventually transcends his status as a confectioner and establishes himself as a successful businessman, running his own cab operation. The story paints a very bad picture of India's populace against those who are of lesser social status. Examined only on works created by Aravind Adiga and Mulk Raj Anand, which are exquisite representations of cultural and human traits in Indian history as well as in contemporary world events and culture. The authors' carefully chosen works are rich with a clear understanding of how people behave and may be used to truly identify moral and character standards. Each of the three selected works addresses how rank or class is defined in the public as well as the fundamental attitudes and behaviors; nevertheless, each work offers insight into a different aspect of class distinction.
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